Monterey International Pop Festival

RIP Scott McKenzie. (Read the LA Times Report)

Mon, 20 Aug 2012 19:47:42 -0400

RIP Scott McKenzie. (Read the LA Times Report)

By David Fricke, from the February 6th, 1992 issue of Rolling...

Mon, 02 Jul 2012 20:35:00 -0400

By David Fricke, from the February 6th, 1992 issue of Rolling Stone.

When Jimi Hendrix sent his Fender Stratocaster up in flames at the end of his historic performance at the Monterey Pop Festival in 1967, it was the ultimate in mind-blowing rock & roll spectacle, a brilliant grand-stand play by a consummate psychedelic showman well schooled in the show-stopping high jinks of great rhythm & blues entertainers like T-Bone Walker and Little Richard. It was also a profound gesture of affection and gratitude.

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Photo Credit: Elaine Mayes Harvey Kubernik, co-author of...

Fri, 22 Jun 2012 18:27:00 -0400

Photo Credit: Elaine Mayes

Harvey Kubernik, co-author of “A Perfect Haze: The Illustrated History of the Monterey International Pop Festival,” gets a glimpse of 1967’s Monterey International Pop Festival through the eyes of Ravi Shankar.

HARVEY KUBERNIK: In 1997, I conducted an interview with Ravi Shankar, he was delighted to talk about the 1967 Monterey event and the warm feelings he still had for the landmark musical gathering were obvious in his observations.

All through 2012, we are celebrating the 45th anniversary of the ongoing Monterey Pop legacy. Shankar has had some very recent health situations of late, and we feel it is appropriate at this time to once again hear Ravi’s own comments about a world he experienced and celebrated during June 16, 17 and 18th 1967.

RAVI SHANKAR: …Monterey to me was like a revelation. Completely new. I had met George before that and that started the whole big hullaballoo. To me, it was a new world. I had been performing in the United States since 1956. Carnegie Hall. My first fans were jazz buffs and jazz musicians and average American people.

“So, a decade later, I arrive in Monterey and see butterflies and colors and flowers with peace and love. It was fantastic. I was impressed, but everyone was stoned. But that was all right and I was meeting all these beautiful people. Fine. It was one day before my concert and I went to hear the whole thing. That to me was the real experience. One night, I really heard Otis Redding. He was fantastic. One of the best, I remember. I really like The Mamas and The Papas. Lyrical, harmony and good choruses and harpsichord. Then, you know, came the hard rock. The Jefferson Airplane. The Grateful Dead. To me it was difficult in a very loud, hurtful in-my-ear way. And Janis Joplin. I had heard of her, but there was something so gutsy about her. Like some of those fantastic jazz ladies like Billie Holliday. That sort of feeling, so I was very impressed by her. Then, some others and what really disturbed me was the hard rock.

“…I had heard so much about Jimi Hendrix. Everyone was talking about him. When he started playing…I was amazed…the dexterity in his guitar playing. But after two, three items, he started his antics. Making love to the guitar, I felt that was quite enough. Then, all of a sudden he puts petrol on his guitar and burns it. That was the leaving point. Sacrilegious. I knew it was a gimmick. Then, The Who followed, started kicking the drums and breaking their instruments. I was very hurt…

“The next day, in the afternoon, It was cloudy, cool, it had rained a little and that’s when I played and it was like magic. Jimi Hendrix was sitting there. (Jerry) Garcia was there. I remember a few names. All of them were there and you can see on the film what magic it had. I was so impressed and it is one of my memorable performances. I didn’t plan for this. I was grateful to God that I was sitting in the atmosphere without anyone disturbing me. It drizzled for a few minutes and then it stopped. So, it was cloudy and there were flowers from Hawaii and you know, what atmosphere! After my set, it was crazy. I have never felt such a commotion of this sort. I was so pure, in spite of the fact that there were many people who were also strong. But it didn’t matter, because the whole atmosphere was so clean and beautiful and I could give my best. That’s all I can say.

HK: I know you weren’t in the Woodstock Festival movie, but I recall a live album from your appearance at Woodstock, right?

RS: It was so big. Half a million people. Rain so much that there was mud all over. You couldn’t see the people or look into their faces. It looked like a big parking place. We came by helicopter and landed behind the stage and it was raining. It was a mess. But, my commitment was so strong, because I couldn’t get out of it, so I did my best. And somehow, in that atmosphere, I did my best, but I couldn’t feel anything. I have always said that if Monterey was the beginning of this beautiful peace of love, flowers and all that, then Woodstock was the end of it.

The Western Union telegram confirming performance by Otis...

Thu, 21 Jun 2012 16:51:54 -0400

The Western Union telegram confirming performance by Otis Redding, Booker T & The MGs, and The Mar-Keys.

We had a wonderful time last night at the Monterey...

Mon, 18 Jun 2012 13:14:43 -0400

We had a wonderful time last night at the Monterey Pop screening. Thank you to The Cinefamily, Cinespia, and all who attended.

Pictured (left to right): Harvey Kubernik (Co-Author “A Perfect Haze”), Michelle Phillips (The Mamas and the Papas), Lou Adler (Producer), Kenneth Kubernik (Co-Author “A Perfect Haze”).

Photo Credit: Myra Vides.

The first official Monterey International Pop Festival website...

Sat, 16 Jun 2012 22:21:00 -0400

The first official Monterey International Pop Festival website is now live! http://montereyinternationalpopfestival.com/

Monterey Moments: Stories and songs from 1967’s legendary...

Sat, 16 Jun 2012 17:54:00 -0400

Monterey Moments: Stories and songs from 1967’s legendary Monterey International Pop Festival, now celebrating its 45th Anniversary.

Grace Slick (of Jefferson Airplane) shares glowing memories of the festival’s comforts and the how the artists marveled at each other; plus, enjoy Jefferson Airplane’s “White Rabbit,” recorded live at the festival.

On Saturday, June 16th, 6pm, a beautiful new Monterey...

Fri, 15 Jun 2012 16:41:52 -0400

On Saturday, June 16th, 6pm, a beautiful new Monterey International Pop Festival website will go live, 45 years to the hour from John Phillips’ (The Mamas & the Papas) introduction of the first band at MIPF.. The Association.

Photo: The Association at Monterey International Pop Festival, 1967, Credit: Elaine Mayes http://www.elainemayesphoto.com/

Monterey Moments: Stories and songs from 1967’s legendary...

Fri, 15 Jun 2012 14:13:00 -0400

Monterey Moments: Stories and songs from 1967’s legendary Monterey International Pop Festival, now celebrating its 45th Anniversary!

David Crosby tells how he ended up playing in both The Byrds & Buffalo Springfield; plus, enjoy The Byrds “Chimes of Freedom” recorded live at the fest.

Monterey Moments: Stories and songs from 1967’s legendary...

Thu, 14 Jun 2012 17:22:00 -0400

Monterey Moments: Stories and songs from 1967’s legendary Monterey International Pop Festival, now celebrating its 45th Anniversary!

Neil Young & Stephen Stills talk about Young’s exit from Buffalo Springfield just prior to MIPF; plus, enjoy “Nowadays Clancy Can’t Even Sing” recorded live at the fest.

Monterey Moments: Stories and songs from 1967’s legendary...

Wed, 13 Jun 2012 17:26:00 -0400

Monterey Moments: Stories and songs from 1967’s legendary Monterey International Pop Festival, now celebrating its 45th Anniversary!

In this first installment, Papa John Phillips shares how he turned the tide of support for the festival by giving Monterey citizens jobs; plus, Buffalo Springfield “For What Its Worth.”

Art on the sweetness of the art and audience at Monterey...

Thu, 07 Jun 2012 14:58:00 -0400

Art on the sweetness of the art and audience at Monterey International Pop Festival, 1967. (Photo Credit: Elaine Mayes)

The Ultimate Monterey International Pop Festival Spotify Playlist!

Wed, 06 Jun 2012 14:17:36 -0400

Jerry Garcia of Grateful Dead at Monterey International Pop...

Tue, 05 Jun 2012 14:57:00 -0400

Jerry Garcia of Grateful Dead at Monterey International Pop Festival, 1967 (Credit: Elaine Mayes http://www.elainemayesphoto.com)

Monterey was the nexus. It sprang from what The Beatles began,...

Tue, 05 Jun 2012 01:38:00 -0400

Monterey was the nexus. It sprang from what The Beatles began, and from it sprang what followed. — Jann Wenner

Roger McGuinn (of The Byrds) talks about the 1960s movement. We...

Tue, 05 Jun 2012 00:53:00 -0400

Roger McGuinn (of The Byrds) talks about the 1960s movement. We were tipped to this great clip by Patrick McGuinn. Thank you, Patrick!

nathanlevinson: The Beatles drew this for the 1967 Monterey...

Fri, 01 Jun 2012 19:52:00 -0400

nathanlevinson:

The Beatles drew this for the 1967 Monterey International Pop Festival. I got to peep this original in a scrap book yesterday. Pretty cool!

Billboard Magazine ad, May 1967: How sweet the moon-light...

Fri, 01 Jun 2012 14:55:52 -0400

Billboard Magazine ad, May 1967:

How sweet the moon-light sleeps upon this bank!

Here will we sit, and let the sounds of music

Creep in our ears; soft stillness, and the night,

Become the touches of sweet harmony.

—Shakespeare, The Merchant of Venice

Jimi (at Monterey International Pop Festival) action figure!

Thu, 31 May 2012 17:59:44 -0400

Jimi (at Monterey International Pop Festival) action figure!

Photo

Thu, 31 May 2012 16:17:04 -0400